Dining out in Ancient Rome

I have long had a love affair with Italy and enjoy reading novels set in either Ancient Rome or Renaissance Italy.

I was in Rome for a wedding last summer

And I have often wondered as I twiddle my spaghetti around a fork or order up my favourite Milanese chicken dish what it would really be like to dine out in Ancient Rome.

Sad to see it all fall apart

First I would wear an unstiffened kind of bust-bodice known as the stophium and a long tunic reaching to my feet probably made of linen or cotton but preferably of silk. I might choose blue as that is a favourite colour and it would be ornamented with a gold fringe and lavishly embroidered. Over this I throw my stola which is similar but it would have sleeves. Then, before setting out to visit friends for a long, long dinner in a fabulous new villa not far from the forum I call for my pella, a rectangular shaped voluminous cloak. It will cover my elegant coiffure.

My new hairstyle

My second best frock

Ah my hair! I sigh. I am not quite ready. I have forgotten my tiara. The ornatrix has already spent at least an hour arranging my locks into a cone. I admit it. My hair is bleached because, after all, to be a blond is  fashionable these days. I am proud that my hair is abundant and I have not had to resort to using false hair pieces. What you see is what you will get tonight.

My ornatrix rushes to my call and adds a gold tiara encrusted with sapphires saying it will match my gold rings, my anklet and my necklace and I say snappily, 'Don't forget my favourite earrings.'

They are made of three rows of pearls and were a gift from my late husband.



My feet are encased in slippers that are studded with jewels and which are dyed blue to match my tunic. I am now ready to climb into my litter and be carried to the new villa.

At the villa

I wonder will the more greedy guests spoil our evening tonight by overeating and dashing to the vomitorium with irritating regularity. I heard my slaves whispering amongst themselves that the cooks at the new villa have promised a great fat stuffed sucking pig, kidneys, stuffed dormice, snails fed on milk and fried in oil served with wine, rabbits cut from the womb, a special sauce of pepper, loveage, caraway, celery seed, rue, wine-must and oil. There will be my personal favourite dish too, fried veal in a sauce of raisins, honey,vinegar, pepper, onions and whatever aromatic herb the cooks have to hand.

Perhaps, I think, as I arrive at the villa which is lit up like starlight with a mass of tiny oil lamps, perhaps I shall eat just the tiniest morsel of everything tonight.  And perhaps, too, I shall find myself a new lover.

This piece is written to celebrate the publication of   Inceptio  by Alison Morton published by Silverwood Press and which can be purchased at your bookshop, Waterstones or online from Amazon. Inceptio is a speculative historical novel, a 'what if' the Roman world survived after AD 395.

The Forum in Rome

  

The Trotula, Medieval Women's Medicine

The Trotula is one of the best sources of information about 'conditions' for women in the middle ages. It is thought by historians that The Trotula originated during the eleventh and twelfth centuries in Salerno, Italy. Salerno was the leading centre for medical learning in medieval Europe.







Its opening lines give us a flavour of the thought processes that permeated the medieval mind

When God the creator of the universe in the first establishment of the world differentiated the individual natures of things each according to its land, he endowed human nature above all things in a singular dignity, giving to it above the condition of animals freedom of reason and intellect.



A view of the medieval world





The writer points out that the sexes owned the following qualities- males were hot and dry and women were cold and humid. Women were weaker. The hot and dry male was stronger and thus could pour his 'duty' into a woman via his seed. The moist and wet and weaker woman was a conduit placed to receive his seed and thus was subject to the man.

Pregnancy and childbirth were dangerous conditions and on both The Tortula has much advice. Using references to Hippocrates and Galen its writer sets out and explains the causes , symptoms and perceived treatments for women's diseases. I thought I would share this example of advice for the regime of pregnant women.

• Nothing should be named in front of her which she is not able to have, because if she sets her mind on it and it is not given to her, this occasions miscarriage.
• If she desires clay or chalk, let beans be cooked in sugar and given to her.
• Bathe her often at the time of birth.
• Anoint her belly with olive oil or oil of violets.
• Let her eat light and readily digestible foods.
• If her feet swell up, let them be rubbed with rose oil and vinegar
• Windiness and danger of miscarriage- give her three drams of wild celery, mint, cowbane, cloves,watercress, madder root, two drams of sugar, of castoreum, zedoary and Florentine iris. Let them make her a fine powder and let it be prepared with honey and give her three scruples of it with wine.

Herbs and measures, the medieval woman's survival kit

Measures such as scruples are beyond my knowledge so if anyone can enlighten me about the scruples and the drams I should be very interested. Both my medieval novels, The Handfasted Wife to be published in May 2013 by Accent Press and The Countess of the North , a work in progress, include eleventh century pregnancies.

The Trotula also contains advice and information on women's cosmetics, hair treatments, and a range of treatments for women's complaints. It is fascinating and a real source of information for anyone writing stories concerning women during the Middle Ages.

'For Veins which appear in the nose or on the face, we apply to the place three parts soap and a fourth part pepper, all powdered, and we cure it in the above mentioned manner.' Is anyone willing to try it?

So when she leaves her castle to visit another she will have paid attention to her appearance

The Trotula, an English Translation of the Medieval Compendium of Women's Medicine edited and translated by Monica H. Green, published by University of Pennsylvania Press.


   

The Next Big Thing

For weeks I have resisted The Next Big Thing because my publisher did not want me to talk about my book in too far in advance of publication. However, 'the next big thing' posts I have read are fascinating and I am thrilled to be nominated to carry the torch forward by two fabulous writers whom I wish to mention before discussing my work.

Gail Aldwin is the author of Paula's Secret, her work in progress. I am honoured to have had a preview of of some chapters. Gail is a prize winning writer of flash fiction and has a collection published titled Four Buses. I know her writing to be exceptional. Paula's Secret is an intelligent romantic comedy with a dark edge reminiscent of Mavis Cheek's novels. I met Gail at a writing retreat in a mutual friend's summer house in Cornwall and again at the Winchester Festival where she entered and was placed in several short story competitions. I think Paula's Secret will be a winner.

Liesel Schwarz is another fabulous writer. Liesel studied creative writing at Brunel University under Celia Brayfield and Fay Weldon. She is currently working on a Phd in English/Creative Writing. She writes Steam Punk and her first novel Conspiracy of Alchemists will be published by Ebury Press in February 2013. Her book is currently being made into a BBC audio book. This novel is the first of an exciting series combining romance and adventure with the Victorian age of steam. I think of the atmosphere engendered by Philip Pullman in His Dark Materials but like Pullman's work it contains an unique imagination.

Now to answer a few questions about my own work The Handfasted Wife.

What is the working title of your current novel?

It is The Handfasted Wife and will be published under this title and with my own name as author of the work.  Its adventurous narrative concerns what could have happened to Edith Swanneck, Harold II's common-law wife after the Battle of Hastings.

Where did the idea come from for your book?

I began work on the manuscript in 2007/8 but I was slowed down because I began this book as a PhD Creative Writing project. I have written an academic thesis to support it. This is about how romance tempers realism in historical fiction. The idea for The Handfasted Wife came when I was looking for a radio play to write after I visited Bayeux in Normandy. At the time I was working on a Diploma in Creative Writing at Oxford. This play was my big submission.  Whilst at Bayeux, I was inspired by the vignette on the Tapestry depicting a woman and child fleeing from a burning house before the battle. It was a haunting scene. Interestingly, some historians have suggested that the woman could be Edith Swanneck. There are three women depicted on the tapestry and all are thought to be noble-women. I researched the period thoroughly in the Bodliean Library, reading what chroniclers thought happened and then I read everything I could to help me recreate a faithful historical atmosphere. I even attended classes on Anglo-Saxon in Oxford and read Anglo-Saxon poetry and prose in the original. I decided that for this novel my main thrust was to be Hastings and its aftermath from Edith Swanneck's viewpoint. The work is a romantic historical adventure and its theme is a woman's quest to come to terms with the sorrow of war and regime change. Her personal quest to avoid re-marriage to a foreign knight and recover, Ulf, her hostage child from captivity.

A Short Short Synopsis

Set aside for a political marriage when her husband becomes king, Edith Swanneck (Elditha) loses her estate after the Battle of Hastings and sets out on a perilious quest to escape the plots of the pragmatic Edith Godwin, Edward the Confessor's widow, to reunite with her sons and to plan rebellion.

Which actors would you choose to play the part of your heroines?

Cate Blanchette would, of course, be a superb Edith Swanneck. However, Kate Winslett would be a very interesting Queen Edith. I think Judi Dench could be cast as the tough Countess Gytha, King Harold's mother.

Will your book be self published?

No, it is to be published by Accent Press in the late spring 2013. I am currently working on copy edits provided by my publishing editor.

Anything else of interest for a reader in your book?

A very difficult question as taste is subjective and not all readers love historical fiction. Hopefully, the characters are engaging enough to speak for themselves. It is a fast paced story of pursuit and escape involving a winter siege which actually happened at Exeter in 1068, where noble women really did resist the Conquest and left England with a large treasure. Ulf the youngest son of Edith and Harold was taken hostage into Normandy as a child and his story is resolved as history would have it. My favourite character after Elditha is Countess Gytha, Harold's indomnitable mother. I also thoroughly enjoyed writing Edith Godwin who is the dark queen of the piece, utterly determined to recover Elditha when she goes on the run. The novel is first in a Trilogy. The other two are the stories of King Harold's daughters. One eloped from Wilton with a Breton knight and the first section of this book is set in Brittany. The other married a prince of Russia and it is set in Denmark and in Kiev.

The Next Big Thing is Moses in Chains by Nikki Fine

Now I would like to nominate the clever Nikki Fine to carry the torch forward. She can be found on Twitter and on her blog News from a Small Village. Nikki is a polished writer and poet who lives in Oxfordshire. She reads at poetry events and has had several poems published in journals. She won a P&O short story competition. Nikki is a fabulous listener, editor and she really was a brilliant participant when I dramatised scenes from The Handfasted Wife to catch hold of characters reactions to eachother. Her novel Moses in Chains is a superb story about Michelangelo. His servant comes apon his diaries and reveals all. Moses in Chains is published by Amazon. So Nikki, now over to you!