The Swan-Daughter, the second novel in The Daughters of Hastings series was published in July as an e book by Accent Press and it will be published on 11th December as a paperback. The Swan-Daughter is the story of King Harold's youngest daughter, Gunnhild. I write about her here.
Arthur and Guinevere |
I researched where I could in Chronicles resourced on the shelves of the Bodleian Library Oxford in order to find concrete information about Gunnhild. I discovered that she really did elope from Wilton Abbey with Count Alan of Richmond (Alain of Brittany) and that she was later involved with his brother, Alan the Black whom I call Niall in the novel. This history is documented by Oderic Vitalis in the early 12th century. Other evidence for the elopement and her relationship with Alan's brother is a correspondence between Gunnhild and Archbishop Anselm of Canterbury. This is an archived correspondence in which the Archbishop tells Gunnhild not to live with Count Alan's brother but instead to return to the abbey of Wilton. These sources are the bones, the skeleton of my story The Swan-Daughter. Into this I integrate politics that followed the Conquest of 1066, for instance- The Earls' Rebellion of 1075, Domesday Book 1085 and King William's troubles with his son, Robert which occurred in the late 1070s and again during the 1080s.
Oderic Vitalis wrote about the 11th C, especially The Conquest |
I decided to parallel the story of Gunnhild, Niall and Alan in The Swan-Daughter with that of Tristram and Iseult. In the story of Tristram and Iseult, Tristram who later becomes one of King Arthur's knights, kills a dragon and seeks a wife for his uncle Mark of Cornwall. Iseult's maid, either by accident or design depending on the version you read, gives the couple a potion intended for Iseult and King Mark. It would cause them to fall in love at first sight. This leads to a famous literary love triangle and an impossible situation. It leads to many circuitous adventures in true romance tradition.
Tristram and Iseult |
Medieval romance was emergent in stories and in song by the end of the eleventh century. These early medieval romance stories were written down in the vernacular Norman French. Romances were long narratives of adventure that combined the real and the improbable. They appeared in Britain a few years after they originated in France, written down in Norman French for the descendents of those barons who had landed with William the Conqueror. Other romance tales were recorded in Occitane, a language of the French south. Troubadours carried this vernacular romance literature from Spain to the court at Aquitaine where they became popular during the first half of the twelfth century.
Medieval romance quickly becomes associated with the notion of chivalry, the rules of knighthood and the idea of setting up 'the lady' as an image of virtue and of love, actually dichotomy since woman was also seen as the temptress, the daughter of Eve. A knightly quality was to fall in love, usually with another's wife and certainly not his own wife. This was unsurprising really in a society where marriages amongst the nobility were arranged and their objective involved the transfer of land. As for 'the lady' who was the subject of such love, she could behave as unobtainable and disdainful as she wished. This love was not sexual but ideal and pure, at least for the most part. The veneration of the lady was tied up with the popular cult of the Virgin Mary, the mother of Christ, the ideal woman who had a virgin birth. Chapels were dedicated to the Virgin Mary. Flowers were named after her. Pilgrimages were made to shrines dedicated to her. She is always depicted as wearing blue the colour of purity. Gunnhild is no Virgin Mary. Throughout The Swan-Daughter she is haunted by guilt for her love of Count Alan's brother. She becomes Iseult to his Tristram.
One of my favourite versions from TV |
An interesting subject of legend who has recently had a resurgence in historical novel form is Robin Hood. My first introduction to Robin Hood was Richard Green blowing his horn through Sherwood Forest's greenwood and calling his band of merrie men to stirring adventures in the 1960s television series Robin Hood. There are six major sources for the legends of Robin Hood, A Geste of Robyn Hood, Robin Hood and Guy of Gisborne, Robin Hood and the Curtal Friar, Robin and the Monk, Robin Hood and the Potter and The Death of Robin Hood. All of these works were written after the period that is usually ascribed to Robin of Sherwood. His time period appears to run from the last years of the reign of King Henry II around 1185 through the reigns of King Richard I, King John and ends during the reign of Henry III after 1235. In popular legend his death is circa 1247. Some sources do suggest a wider time frame. Local legends spring up about Robin Hood and the majority of these date from 200 years after the core legends were recorded. Unlike Gunnhild's story where there are snippets of her story recorded in chronicles it is difficult to establish the historicity of Robin Hood. It is likely that he was a real man who existed in history and not just in folklore. He is however essentially a legendary character. The following three fabulous writers have taken Robin Hood and turned him into their own successful stories.
Steven McKay's version |
Steven A. McKay The Wolf and the Raven is the second in a series about the outlaw. These Robin Hood stories are, interestingly, set during the fourteenth century when the legends were first recorded. The books are great fun. I absolutely love them. If, like me, you are a 'Robin' fan read them.
Angus Donald The Rise of Robin Hood This is the first of a series of which Angus has written four. They are superbly written. I recommend these novels highly for the adventure and the quality of Donald's writing style.
Gritty and Beautiful |
Adam Thorpe Hodd Who was Robin Hood? In the form of a medieval document Thorpe gives us the story of a free spirit and a not very pleasant outlaw. It is literary, superb and well worth reading.
A beautiful and clever novel. |
Jenny Kane Romancing Robin Hood This one has a heroine who like myself is fascinated by Robin Hood ever since she saw the stories on TV as a girl. She is a successful academic who is supposed to be writing a text book about medieval criminals. She keeps getting drawn into the world she is writing. There is a present day story with a linked love story to engage the reader also. I cannot wait to read this as it promises great fun. It will be released on 5th September but is available on amazon pre order. I love the cover too. Find Jenny Kane here: http://tinyurl.com/mdnskdj
On my reading list |
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Interesting post. I've always been interested in the Arthurian legend and in Tristan and Iseult. But mostly, I'm fascinated with the RH legend and have taken Guy of Gisborne's story and re-written it. Far from the original canon but still set in the 1190's, alongside the Third Crusade and Richard Lionheart's abduction.
ReplyDeletePrue I want to read your books too. I also want to write a more detailed post on Romanz perhaps for English Fiction Authors. Thank you for your interest. I think Sir Walter Scott popularised Robin Hood at the time of Richard I in Ivanhoe which is an interesting novel.
ReplyDeleteA summary of some Robin Hood connections with Alan Rufus.
ReplyDeleteThe Scottish prince David, Earl of Huntingdon (c. 1144 – 17 June 1219), one of the inspirations for the Robin Hood story, was a member of Alan's family. David did have a brother Robert, who died young.
The probable murder in 1203 by King John of another close relative of Alan's, Duke Arthur I, provoked the successful rebellion of all the Angevin home territories in France.
Alan's Richmond Castle was besieged by King John. (Alan's family absolutely did not get along with John.)
Alan of Galloway (grandson of Gunnilda of Galloway and great-nephew of Alan of Allerdale and great-great-grandson of the Gilpatric who was deposed as Earl of Bernicia and Northumbria by William the Conqueror in 1072 but whose relatives were protected by Alan Rufus) was one of the royal courtiers who advised King John to sign the Magna Carta.
Friar Tuck was a former monk of Fountains Abbey, a Cistercian (i.e. stricter) offshoot of the Benedictine St Mary's Abbey of York which was founded by Alan Rufus.
At a stretch, Alan-a-Dale. Alan Rufus was lord of the Yorkshire Dales.
Little John: possibly a reference to Alan's Anglo-Danish tenant Arnketil.
Will Scarlet: William II (known after his death as "Rufus"), Alan's "nephew"? (Actually, double-second cousin once removed.) The story of Will hunting deer in the forest when Robin meets him might be a fanciful twist on Alan's name (meaning "deer") and William II's death in a hunting accident.
I do love all your suggestions Zoe. I think Sir Walter Scott would have enjoyed them also. Thank you for posting these ideas.
ReplyDeleteWhat follows is a miscellany of observations (please pardon the incoherence as it reduces the number of postings). Hopefully, these will inspire wild imaginings.
ReplyDeleteAlan Rufus had the good fortune to die before the First Crusade. On the down side, his epitaph uses the word "cineratur", which suggests he may have died in a fire. (Perhaps trying to rescue someone, if I know his character.)
The epitaph describes Alan Rufus as "rutilans" (shining with a red or golden light). If you look up Ambrosius Aurelianus (a major early character in the King Arthur cycle) and follow the Aurelian (golden) links you quickly find Aurelia Cotta who was the mother of Julius Caesar, and her mother Rutilia of gens Rutilia cognominated "Rufus".
Other phrases in the epitaph refer to Alan as "flower of the Kings of Britain" and as "flower of the satraps". Satraps were the provincial viceroys in imperial Persia, and "Alan" has a double meaning of "Iran".
Alan's family claimed descents from an odd batch of people, including the apostle St James (brother of St John), and from the emperor Augustus's last wife Livia, and from King Herod! Aurelia was also an ancestor of the Emperor Augustus, so they're all in the mix.
Livia's ancestors were the patrician Claudian family of engineers (the Appian Way was one of their designs), but the Aurelians had plebeian origins even though they produced many emperors.
Alan' Rufuss colours were blue and white checks, with an ermine surcoat. Lots of Virgin Mary symbols there.
David of Huntingdon's daughter Isobel married Robert de Brus, 4th Lord of Annandale, and was thus an ancestor of King Robert "the Bruce". ("Bruz", pronounced "Brus" or "Bruce", is a Breton name, by the way.)
Another Brus ancestor was Sir William Marshal, who was trained and knighted by William de Tancarville who was hereditary Chamberlain of Normandy and a grandson of Alan Rufus's youngest brother Count Stephen.
Count Stephen's sons Geoffrey Boterel II the Count of Penthievre and Alan the first (official) Earl of Richmond, fought for Empress Maud and King Stephen respectively, during the Anarchy.
Technically, I suppose Geoffrey Boterel II fought beside Maud's husband Geoffrey "Plantagenet", Count of Anjou, in France, when the Angevins conquered Normandy.
The Counts of Anjou were very proud of their ancestor, a 9th century common forester (and reputed outlaw) from Rennes in Brittany, for climbing the Carolingian social ladder on merit. So if you ever wondered where the Plantagenets came from, there you have it.
Sir Walter Scott was canny: he curried favour with the Hanoverians by creating Ivanhoe, a Saxon hero, while also getting them interested in Scottish tartans.
ReplyDeleteCarol, I've ordered a printed copy of "The Handfasted Wife" from Dymock's, an Australian book chain who have contact with Accent Press (things take a while out here). Call me old-fashioned, but I still find there's nothing like paper for reading. I look forward to "The Swan-Daughter"'s paperback edition, though I just might rush-buy a Kindle.
ReplyDeleteThank you for your kind words, Carol, I've shared this post on my Facebook page! :-)
ReplyDeleteSteven, a pleasure.
ReplyDelete